Showing posts with label Shinro Ohtake. Show all posts
Showing posts with label Shinro Ohtake. Show all posts

Sunday, November 11, 2007

find


Tuesday, September 25, 2007

Wednesday, December 20, 2006

Naoshima Island Art

















More info on Naoshima Island at the bottom of this post.
Above artwork: Pumpkin, Yayoi Kusama;
Cylinder Bisected by Plane, Dan Graham;
Time Exposed, (framed photos) Hiroshi Sugimoto;
Shipyard Works, Shinro Ohtake;
The Secret of the Sky, (stone sculpture at bottom) Kan Yasuda;
Architecture by Tadao Ando.

Saturday, December 09, 2006

Art House Project, Naoshima



Art House Project by Shinro Ohtake, Bokkon - Nozoki:
Building, entryway, uninstalled sign in backyard...

Tuesday, December 05, 2006

Chance Meeting of Circles

On Naoshima island in front of Shinro Ohtake sculpture,
from Shipyard Works....

Monday, October 16, 2006

Shinro Ohtake ~ Japan





Shinro Ohtake has long been an influence, since seeing the book London/Honcon 1980 in the early 80's. Since then I've been fortunate to see his work in book form over the years, mostly through my friend Alfred who lives in Tokyo/Seattle. The top image is from that book, a notebook format combination of drawing and collage presented in a gorgeous box. The next two images are from Atlanta 1945+50 published by and in collaboration with Nexus Press in Atlanta, Georgia, 1996. It is a feat of printing, each book is unique in that the paper is different for each copy, throwaway sheets from printers and billboards and including hand tipped vernacular photographs. The color is vivid and varied and the project is insanely wonderful,,, Ohtake suggests viewing the book under a black light, something I've never done for some unknown reason. I guess I left mine back in the attic decades ago. The next image is from the book America II 1989, and is similar to Atlanta 1945+50 but larger and not so elaborately printed> This book also comes in a box and the cover is die cut. The final image is of a one of a kind Scrapbook (#18) one of many he has evidently made scores of. Why am I going on about Shinro Ohtake? Tomorrow I leave for Tokyo/Japan and will see a major retrospective of his. It took 7 different locations to exhibit his output. The guy is obviously prolific and works in many different media, including very large scale sculpture, installations and paintings. The major show is at Tokyo Contemporary Museum of Art and takes up 4 floors. Apart from that I'll be in Japan for 2 1/2 weeks, and need to start packing.